![]() ![]() “I recognize that my best songs were written in an altered state, and my worst too. She also referred to herself as a “rebel” and “hippie communist,” and wrote of sneaking out the windows of her house as a teenager to play, being arrested during the dictatorship for possession of marijuana, and her multiple stints in rehab clinics for drugs and alcohol. In her autobiography, published the following year, she didn’t shy from describing the sexual abuse she suffered as a child at the hands of a man who had come to fix her mother’s sewing machine. She resolved in 2015 to reinvent herself as a white butterfly. For decades, she kept her hair bright red and often wore matching lenses, a popular look that she discarded in recent years as she allowed her gray to grow out. Later in life, she became a vegan and animal rights activist. Similar songs followed, such as “Amor e Sexo” (Love and Sex) which contrasted the two in detail and “Lança Perfume” (Spray Perfume), an ode to unbridled hedonism. She was one of the first public figures in Brazil to popularize feminist themes, such as infusing the lyrics of her 1979 song “Mania de Voce” (Mania for You) with female sexuality and pleasure. But I see her as an element that distances herself from the clichés of rock.” She, from her feminine point of view, sees the clumsiness of the worn-out cliché of the male rocker, the one who plays with his legs open. “There really is a lineage of ‘girls’ tied to rock in Brazil, of which she is a legitimate representative. ![]() it was completely mythological,” the musician said. “She brought that thing on stage, in those clothes. In an interview with the music website I Have More Records Than Friends! in 2017, Lulu Santos, judge of the Brazilian version of The Voice, recalled seeing Rita Lee play autoharp at a concert. Hits on “Forbidden Fruit” include “Now Only Missing You” and “Ovelha Negra,” long played on radio stations and Brazilian soap operas. By the mid-1970s, after selling 200,000 copies of the album “Forbidden Fruit,” Lee began to be called the “queen of rock” on the music scene. Colors and creativity, as well as irony and irreverence, were Lee’s trademarks from the start, evident in the flamboyant costumes she performed in her shows. Rita Lee rose to fame with the group Os Mutantes (The Mutants), starting in 1966. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |